Much to my shame I cannot draw. Give me a pencil and a ruler and there’s a moderate to fair chance I can give you a straight line, but beyond that I am hopeless. I like the idea of paints and pastels but there’s absolutely no way that I could produce something worthy of being called art, even by the sometimes rather eyebrow-raising modern concepts of what constitutes creative beauty.
And let’s not try me with sculptor’s clay or, even worse, a lump of stone and a hammer and chisel; I can see potential in my mind but something goes very wrong and I end up with a hideous mess. By all conventional definitions I have the artistic skill of a lump of wood.
But there is one form of art that I can claim at least some skill with.
The Garden As Art
Are our gardens not an expression of art? We combine shapes and textures with lines of sight and balanced proportions. There’s light and shadow, a foreground and a background.
Maybe the idea that your garden and mine is a work of art seems a little pretentious. I’m sure we’re all happy with the idea that at least some of the ‘great gardens’ might be regarded as art, but for most our modesty and sense of decency stops us from making great declarations of our own greatness. It seems a little uncouth to boast.

I garden for me, but I like it
I might venture to suggest another thing that gets in the way of recognising just how good our gardens actually are: familiarity. Our gardens are our work and we know them intimately. Where others see beauty we see work, things that we must do to pursue our own vision of how the garden should look.
There’s an uncanny parallel with Leonardo da Vinci’s masterpiece the Mona Lisa. Da Vinci began the painting in late 1503 or some time in 1504 but there is a strong body of academics who believe that the painting may have in fact have been an ongoing project for many years. Given that the painting was left unfinished it’s entirely plausible that da Vinci made alterations up until around 1517 when a problem with his hand left him unable to paint.
This ongoing process is familiar to us all, as is that realisation at the back of our minds that our gardens will never truly be finished. The Mona Lisa is regarded as a masterpiece despite there being every indication that the artist was not happy with it.
A Four Dimensional Picture
For me gardens exist somewhere between a picture and a sculpture. Plants are features are arranged to make scenes but at the same time you can walk through them because they exist in three dimensions instead of two.

It’s like a picture but you can walk through it
In fact gardens exist in four dimensions, the three conventional dimensions plus time. A garden is a form of art that is always changing, sometimes massively and sometimes incrementally. There are conventionally recognised works of art that will change in time, such as the wooden forms created by David Nash. No matter how well these are protected they will one day return to the earth.
But there’s a world of difference between the decay of sculpted wood and the ebb and flow of a garden. From the moment a tree is cut the fate of the wood is sealed, even when decay is slowed to many centuries. By contrast a garden can grow into life and wane into dormancy many times, and from the moment the first plant goes into the ground it begins its journey of change, growth and decay.

With the colour removed from this image you can really appreciate the shapes and textures of this scene
The elements of the garden, including plants, are more than just a gathering of objects; arranged with consideration they take on the role more like paints, to be dabbed, smeared and brushed on the canvas as the artist-gardener sees fit.
It’s all rather poetic really.
Not All Art Has To Be A Masterpiece
If we can accept the idea that a garden is indeed a form of art then we must also accept that there is great work.
The art world has its heroes, artists living or dead whose work is regarded as particularly of note. The absolute majority of artists never receive the widespread recognition or praise that the few enjoy. Indeed Vincent van Gogh is regarded today as a great artist but was considered a failure during his lifetime.
Whether or not art has value depends really on what you consider value. If you’re looking at art as an investment then you will be looking for art that will either appreciate in or hold value, preferably both.

Should a garden contain art or can the garden be art?
However for most of us art is about something else. It’s about having something that brings us joy. A picture bought from a shop might not be worth any more than its price label but if we like it and can justify it then we will take it home. It might never see a prestigious gallery but it will hang on our wall and make us happy.
While some gardens are probably fairly considered fine art the rest, the majority, are pop-art. This is not a bad thing to be, because while fine art is studied and fussed over pop-art exists to bring joy. It can have meaning and it can very definitely have value, but a pop-art garden exists to make people happy and that’s undeniably a good thing.
I think where the idea of gardens of all kinds being expressions of art wins is that this art form is accessible. You need some space, from a windowbox to extensive acreage, but as long as your medium – plants – is suitable for your canvas you can enjoy being creative. There will be critics but there are always critics, and if you choose to keep your art private and away from prying eyes then you’re free to.
Surely gardens should be recognised as an art form?
So many parallels! I hadn’t thought of the connection before.
In my front garden, ongoing joy (work) involves renovation pruning of the yew Emerald Spreader, which has succumbed to the 100F heat wave this summer. Fingers crossed it works…
There’s ongoing design work too: I had planted a low growing silvery green evergreen (sp. IKnowItWhenISeeIt ;0) to fill in part of a sloped front garden – and discovered this year it has filled in *over* the horizontal juniper I’d planted as lawn substitute. Horror! Scrub that. Replant with another juniper…it was spoiling the formal look I dreamed of, right when the other junipers were filled in perfectly.
How about photographing gardens as art, too, Ben?
Thanks as ever for writing!
The photographer’s art is most definitely a thing, but garden photographers possibly don’t get enough credit for their specialism.
The garden, however, is an ongoing work.
I have often said that gardens are performance art. Always changing, responding to the environment, time and the presence of the gardener. Any garden tells a story. It’s art.
Performance art… an interesting thought. Thank you.
I have always thought the very same. Every year is a different performance. Every plant emerges and fades. It’s an ongoing dance.
Should gardens be recognised as an art form? I think my answer would be “it depends” . Can they be an art form? Yes, definitely. Let’s stay with a painting analogy. Many people paint for the pleasure of doing so. Is everything created by them “art”? Well, strictly speaking yes , but the vast majority wouldn’t be considered to be art that is worthy of being taken seriously enough to have any kind of critical appraisal or analysis. And I’d suggest that all art forms worthy of the name has to have such a body of critical appraisal or analysis. So we have art critics, theatre critics, literary critics, cinema critics, etc but we don’t have garden critics. We could because there are at least a good number of gardens which are worth taking seriously, worth discussing, worth a critical appraisal. But our culture does not encompass gardens as art. Gardens are not subject to criticism . Until such time as they are brought within a critical framework they will just be considered as personal spaces where people are enjoying their plants or whatever else they put in their gardens and where others might visit (other than friends and family) for an afternoon out and a cup of tea . We don’t go to art galleries for the tea do we?
I would be perfectly happy to see gardens being subjected to fair criticism. My concern is that the pool of people able to make such critiques is actually fairly small.
By your reasoning the idea of gardens as an expression of a popular art form would be improved if such critiquing was to happen, and I think this would be a good reason to pursue such a thing.
Perfect title. Gardens are most definitely art. Your writing is beautiful. And you are an artist.
Thank you, you’re very kind.
I don’t think it is a debate at all. Gardens are an artistic endeavor. And if you consider the process as important as the outcome then certainly they qualify.
And don’t forget fragrance of gardens. Another dimension that can be unforgettable.
That’s an excellent point; gardens can stimulate the senses in a more diverse way that any conventional art form.
In 2014 the Hauser and Worth Somerset Gallery in Bruton, UK held an exhibition of Piet Oudolf’s preparatory drawings for Oudolf Field—the 1.5-acre perennial meadow at the rear of the gallery. So a leading contemporary art gallery clearly believes that a garden can be a work of art. Robert Irwin’s 134,000-square-foot “living sculpture” at the Getty Center in Los Angeles is another garden that is acknowledged as a work of art and is accession number 99.SI.38 in the Getty catalogue. Claude Monet said that Giverny “is my most beautiful work of art”.
I wonder what it would take for the idea to really hit public consciousness?
I have coined the phrase …
GARDENS ARE THE ULTIMATE SCULPTURAL EXPERIENCE …
With my background in Art Education, photography, fiber art, and horticulture I’ve been able to blend all of these experiences. My landscape design process (started in 1982) has also been greatly informed by reading about the historical garden greats…Gertrude Jekyll, Beatrix Farrand, Hellen Dillon,
Fletcher Steel, Thomas Church, Vita Sackville West, Christopher Loyd, and
And many others including contemporaries of ours.
Also visiting as many public and private gardens. Volunteering for 35 years at the JC Raulston Arboretum in Raleigh NC .
Ben, one does not need a pencil and paper to design a great garden . My own 2 acre Woodland garden was designed on the ground realizing that the pathways and destinations were human scaled with various transitions between thus creating a different experience in each. When visitors pass from one space to the next they forget about where they have been and become totally engaged in the new area. I have gratefully been able to develop my present garden for 35 years.
Love all of the garden rants.,
I put a small book together during Covid as “My gift to the Universe “ the title is
52 LIFE LESSONS FROM THE GARDEN. It has resonated with much of the general public. People need to feel comfortable, safe, and inspired in gardens. We designers can keep this thought in their nonjudgmental thoughts that humans grow up between interior walls where they mostly feel safe. And I have loved being able to get inside my residential clients heads to create gardens that are quite personalized. I’m retired but I have to say the part of designing that I loved the most had been my first contact interview and walking their properties.
Ben I think starting to connect with HOA’s (Home Owners Associations) in a friendly educational way could be a good start. JC Raulston expressed in 1981, “that people buy 2000 sq ft homes sitting on 10,000 and more land. Creating spaces outside will create more living space opportunities.,