We’ve all got them.

Tchotchkes. Knick knacks. Doodads. More kindly put – and through squinted eyes – objets d’art.

Unless you’re a minimalist with an inflexible disposition, your rooms and shelves are probably home to many ‘little bits’ that make you smile and evoke a memory (or the image of a dust cloth).  From where I’m sitting right now, I can see a grouping of wooden bolete mushrooms,  a collection of jam pots and two stuffed toy mice that my daughter used to delight in hiding around the house to surprise me.  All treasured…all trinkets.

Many of us continue that theme right into the garden, and despite our best intentions, can end up with a landscape that features a few too many flights of fancy rather than our legitimate adventures in horticulture.  If you’re trying to maintain a good balance between both, how do you know when you’ve gone overboard?

Is there a magic number? A cheap and nasty object that should never be displayed?  The Chelsea Flower Show has just reversed its ban on gnomes — but how much of that was for the publicity it brought to the Show, and the money it brought to charity; and how much because they realized they are beloved by many people?

gnome

Not by me, but that’s not important.  It’s easy to disparage the judgment of another human being based on trendy definitions of what’s in and what’s out, or what’s tasteful and what’s terrible; but we mustn’t forget that the objects that surround us reflect who we are and the lives that we’ve led. And that’s different for each and every one of us. It’s why I absolutely despise the legislated, Wonder Bread taste of HOAs when it comes to gardens and their contents.

At the end of the day, a garden should bring us joy.  If you look at your circle of ceramic bunnies and feel that joy, who am I to say that you shouldn’t?   After all, you may someday visit my garden and wonder why I have an obsession with spheres and why I can’t seem to stop painting my tchotchkes red. 

All of that said, I’ve found over the years that the following guidelines help me prevent an ornamentation orgy, and (usually) allow me to match the right piece to the right place:  

  1. Group objects.
    The whole is greater than the sum of its parts. This concept is incredibly successful if I group objects together that share a common characteristic and use aids to stagger heights.  For instance, a group of planted terracotta pots; a forest of ceramic mushrooms; a disparate collection of copper items.  Then, I might use surrounding planting schemes to give the group a bit of horticultural gravitas.
  2. Use objects to showcase specimen plants or points in the landscape.
    While I don’t advocate surrounding a beloved tree with a collection of bunny statues arranged in a circle (we all have our limits), using an object or gorgeous piece of art to call attention to a beloved plant or landscape feature works well – such as using a brightly painted wooden ladder to show off a clematis or placing a single chair near a bend in a pathway. Or placing a 3 meter group of steel dandelions at the top of a hillside (that I still think about in a former display at RHS Wisley). Or that’s right, I can’t afford bespoke.

    red chair in garden

    A simple red chair signals the path in Cole Burrell’s garden at Bird Hill.

  3. Cycle objects in and out.
    The human spirit craves innovation, and using the same things the same way every year is just plain tedious. I’ve gotten very used to using objects (and plants!) one season and not the next – in a completely different way.
  4. Keep things neat.
    If I’ve got a junkyard out there, I’m not bringing joy to anyone, much less myself. I try to stay honest with my inner hoarder. Have my ornaments gone from ‘rustic’ to ‘past it?’  When I’m not sure, I ask a friend.  (Over a drink, so I don’t get annoyed.)
  5. Specify intention
    This is one of the most important questions I ask myself. If you are a plant collector, you will have very different goals for the real estate out there than someone who is creating a country-themed garden and doesn’t mind stacking old wooden crates where you might have placed a rare fern.  If I know what I want to create, I know when I’ve gone astray. Which brings me to my last point.
  6. Going with the gut.
    When I pass an object in my garden and wrinkle my nose ever so slightly, something’s not quite right. This may be the result of an immature garden that has not grown enough to “absorb” the object, or the result of an immature gardener who needed to keep her hands in his pockets the last time she went shopping.  I usually give myself a little time, and if I still don’t love it – I get rid of it.bottle tree

Do you like to use ornamentation, or are you a plant purist? Looking forward to hearing from readers on this one. –MW