“Blogs are so over.”

A friend threw out this casual, but carefully sharpened, zinger a few weeks ago. Whether it was true or just partially true, it amused me to think how quickly we lived through the blog ‘moment’. How a medium so ubiquitous and necessary fifteen years ago to writers scrambling for diminishing opportunities, was now so blasé and dated that it almost felt odd to admit you currently had one.

I fought against being defined as a ‘blogger’ for years. Apart from the ugly sound of the word (which matters when one plays with language for a living), I was a writer, dammit, and I treasured the history, camaraderie, and craft inherent in the term.

So were my blogging colleagues for that matter. Even if they felt looked down upon by a Legacy Media contemptuously surveying the barbarians at the gate, they were still writers.

There were good writers and bad writers in that melee just as there had been in The Before Times. There was still a pecking order based loosely on experience, skill, or luck. We were simply writing in a modern medium, with fewer gatekeepers.

The Blog Heyday

There was a sense of freedom to be found in that undiscovered country. But there was also a price to be paid. Where the gatekeepers had once offered salaries, stipends, flat fees, respectability, and royalties for words that merited promotion from the scribbles on a writer’s desk (not to mention career paths for the Happy Chosen or the Persistent-as-Hell) the blogosphere offered….

Ah yes.  The rub.  Information for free. Photos for free.  Ideas for free. Words for free.

In online publications, rates per word shrunk to a fraction of what they had been in The Before Times. Or they were eliminated all together in favor of free “exposure.” Various memes began to circulate in writer chat groups in response: “Exposure Bucks won’t pay the rent.” “Man cannot live on Exposure alone.” etc. They still circulate.

writer blog exposure bucks tee shirt

You can even get a tee shirt thanks to Atlanta-based graphic designer Sarah Lawrence (whose profession feels equal pressure). Click the shirt to get one for yourself.

Money for Words, or Money for Clicks?

Thus, writers, who had always expected to be poor, but never expected to defend the need to make a living, became bloggers who still had bills to pay, heavy new overhead costs to sort, a new skill set to master, and an unreasonable expectation of philanthropy to overcome.

Why shouldn’t they write for free? What was the value of words anyway?  Write in your spare time. Write in your retired time. Write when you get off work. How terribly vulgar to insist that you be paid fairly if you wrote well. Didn’t everyone?

No. They didn’t. New industries that focused on blogging to elicit ad revenue made it clear that it wasn’t the words that mattered anymore, but eyeballs on ads. “You’ll need to pick your topic first.” counselled one popular site burned into my memory. “Pick something popular you are interested in.”

You’ll need to pick your topic first.  I still remember reading that –as a garden writer looking for SEO advice — and feeling my stomach turn.

Where did that leave the writer who not only knew his topic, but was passionate about it?  Scrambling, that’s where.

Free of Ads Doesn’t Mean It’s Free To Run

Yet it became obvious at that time that writers had to move online, whether they liked it or not. Though I still write for three local monthly newspapers, by and large, the voice of a trusted independent garden columnist in your struggling local and larger newspapers has for the most part disappeared in the last 15 years — replaced by cheaper-by-the-dozen AP articles that flood the country with homogenous, nameless, mediocracy.

Thankfully in the beginning, website hosting costs were low and as a bonus, my articles were still paid for by newspapers who granted me rights to publish as part of our agreements. I could keep my website free of ads.  Now I am fortunate to write commissioned articles for large papers and magazines from time to time, but such rights are understandably impossible.

I rarely update my own site with new articles as a consequence of this shift. Instead it has morphed into more of a landing page for gardeners and media outlets/conference organizers who read my work elsewhere, hear the podcast, or hear me speak at a conference and wish to know more about my garden, my UK tours, and my background.  I still keep it free of ads and view it as a necessary, if painful, expense.  I think many writers do.

Bigger Blogs Have Bigger Expenses

Here on GardenRant, many monetization methods were tried over the years — from trustworthy sponsors who paid for individual ads, to writers who fronted costs and found themselves in the red.

In 2020 we settled on a well-known third-party ad service ratcheted down to its lowest revenue settings to give our audience the least amount of distraction possible. Thus we stay free of influence, but still manage to piss off the odd reader or two in our effrontery to make ends meet.

Are blogs over? Not if we have anything to do with it. But it does help that the eight of us are in it together. Not surprisingly, paying to write is a luxury for which few people have the stomach or the pocketbook.

Those who said “stuff that” and got into bed with companies as brand ambassadors or paid partners merely did what they had to do — now bereft of the protection of legacy gatekeepers who could act as revenue intermediaries between conflict of interest and a need to pay the bills; and aided by professional organizations that happily connected writer to sponsor.

Those legacy gatekeepers are now a rare breed, but where they have survived, many still take conflict of interest in journalism seriously. When I started freelancing for the Wall Street Journal, I had to be vetted for any product connections that might affect what I wrote about and how. I admit, it made me happy to know the gatekeepers still upheld the standards, even though they haven’t had a dedicated garden columnist for years.

Shifting to Social Media

A few years passed. Hyper-novelty wasn’t finished with us and social media took over. In droves, bloggers working on their own shifted their energies to easily updatable and more easily monetized platforms such as Instagram, YouTube, TikTok or Substack. Some gave up completely, faced with the high costs of maintaining a site securely, the complexity of updating that site, and a dwindling audience base that was quickly adapting to a culture of constant content.

Now we are all considered ‘content creators’ — such content to be churned out to feed an insatiable hunger, not a thoughtful or engaged audience.  Our readers are ‘followers’, our worth measured in likes or views — however disinterested the viewer. “What kind of content are you looking for on GardenRant?” I was asked by a would-be contributor three years ago. “We’re not looking for ‘content'” I told her. “We’re looking for good writers, with a strong opinion and the skill to express it.”  I probably pissed her off. But I meant it.

You Gotta Hustle

Such writing takes time. As the Pulitzer Prize winning columnist Russell Page said at a lecture I attended many years ago when he was in his eighties, “I feel terrible for writers now. They have no time to think.”

Compelling writing requires the space to be able to think about what you are saying, Baker told his audience that day. But modern writers cannot concentrate on the thinking OR the writing. There are too many platforms to be updated, cross promotions to be fired off, mailing lists to be built, tech glitches to be fixed, and [hopefully] viral reels to be created. Expertise is secondary to Performance if the algorithms are to be appeased.

Often times writers find themselves simply administering a writer’s life instead of living it.

But just as worrying, readers online have little time to think about what they have just read. Before they even get started on a post or article, a warning informs them of how long it will take to read it. And there is always the next article, or ad, or entertaining short, to grab their attention, leading them inexorably to a full Amazon cart and a vague sense of unease at the end of the day.

Overwhelming Change?

Enter AI. And the Hyper Novelty Scramble goes into overdrive.

Many garden writers who made bread-and-butter money by writing researched or experience-based descriptions of plants for catalogs or journals have been supplanted by their robot peers who efficiently scrape the work of the Once-Paid to produce words for free. 

What company with business sense would pay for anything more than an editor to read over the cleverly written, informative blurbs that AI dashes off in three seconds or less?  What editor with a too-busy day would take the research time necessary to catch the odd hallucination?

They happen.

What value books? If fiction and non-fiction works are being put together by self-published scam artists who haven’t the faintest idea how to put together a compelling sentence much less a book — but know how to use generative AI to create a well-crafted simulacrum, how is the industry cheapened and diluted?  Quite often, such books are published under the names of published authors to give them credibility — until they are reported.

I was quite thrilled recently to see that I apparently published my third book in 2020: Creating Gorgeous Gardens in Small Spaces: Plan, Plant, and Maintain Your Dream Gardens. 

Except I didn’t.

Or Is It a Great Opportunity?

For a busy writer, juggling more than has ever been juggled in pursuit of a viable writing career, AI is the closest thing to an assistant they’ll ever have.

  • It can create engaging social media posts you don’t have time for.
  • It can scan a transcript for plant names and spell them properly.
  • It can find images in the public domain to help pitch an idea.
  • It can flag potential grammatical errors, and offer an alternative.
  • It can generate ideas based on popular searches.
  • It can scan email correspondence and create centralized contact lists that you always meant to do but never did.
  • It can generate illustrative photos for a presentation.

It can create that list above.

Just kidding. I did that. But AI could have done it and I could have saved some time.

Once More Unto The Breach

I’m still teaching myself to pivot and re-pivot in a world of hyper-novelty.  It’s the smart thing to do, but it’s also a big ask when one is concurrently wrestling with the knowledge that such novelties have contributed substantially to the decline of our species’ ability to think, reason, and remain literate.

They’re not only negating the need to write, they’ve negated the desire to read — and there’s much more than how to grow a carrot on the line here.

We are at the very beginning of the biggest culturally transformative shift since the motor car hit horse and carriage streets. Can writers who deeply value voice, and have spent the last two decades fighting for it, allow themselves to take advantage of opportunities that feel suspiciously like erasure? 

We must — as ethically and carefully as we can. Like the coachman, the groomsman, the farrier, and the stable boy, we either get familiar with the steering wheel and brace ourselves for an unexpected journey, or it’s time to get out of the business. 

If you have read this reflection to the end, please know that we are exceptionally grateful to you for your support here at GardenRant over the years, and for the thousands of comments, emails, and conversations you have taken time to write to let us know a post resonated.

Thankfully, ‘the topic’ that we and decades of garden writers before us uncynically chose to explore and share — before likes, clicks, and viral moments came on the scene — isn’t just any topic. It’s the antidote to the addling hyper novelty that greets every one of us each time we open our laptops, book a ticket, visit a doctor, call a company, or pay for a few apples at the market.  

Hopefully we can center ourselves in the quiet joy of that place even as we navigate new ways of sharing it. — MW